Vol. 6 No. 2 (2024): กรกฎาคม-ธันวาคม 2567

View Vol. 6 No. 2 (2024): กรกฎาคม-ธันวาคม 2567

Published: 2024-07-23

Full Issue

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Articles

ส่วนหน้าของวารสาร

วิทยาลัยการดนตรี
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บทความวิจัย

Tang PI-CHAWA and the Process of Performing “BUA LOY YAM SONG”, The Song of Kru Luang Pradit Phairoh (Sorn Silapabanleng)

Kittipan Jittrong, Bamrung Phaattayakul, Sarisa Prateepchuang

1-15
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Khongwong Yai Solo Technique for Phleng Kheak Mon Sam Chan A Case of Subin Junkaew

Phawat Luangsuntorn

16-32
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The Sor Thai Playing Techniques in ASIA7 Band

Benja Kumjay, Sarisa Prateepchuang, Watcharamon Aranyanak

33-48
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Knowledge Transmission of DIAW SAW-U PLENG KHAEK MON SAM CHUN LUANGPHAIROH SIANGSAW (AUN DURAYACHEWIN) STYLE: A CASE STUDY OF KHRU CHAWENGSAK PHOTHISOMBAT

Surapong Bankrithong, Chayanan Srianant

49-64
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Teaching Strategies of Trombone in Higher Education, in Thailand

Charnrit Rerngronasa, Suphaprat Santithammarak, Phethathai Chanoodhom, Kanasanon Kerdkaew

65-73
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Creating an Electronics Book (E-book) on Basic Kong Wong Yai Skill Exercises Based on the Lecturer Adsadawud Sakrig’s Teaching Concept Provided for Thai music club, Tessaban 1 school, Talad Kao, Krabi Province

Wongwasant Wasantasuri , Jirayu Rangsimantuchat

74-90
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The Study and Inheritance of Thai Percussion Instrument Craftsmanship Wisdom

Pinthip Khaopluem, Nawat Laothong, Saisunee Hawang, Pravit Khaopluem, Assadang Dejrod, Phantakarn Sang-on

91-107
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Creating Lanna Folk Virtual Musical Instruments with the HISE Program

Puttawong Ekkapoj, Thanet Wongsing

108-124
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Music Composition MAHACHAI BETTA Suite

Suparat Thongtha, Chattiya Khieti-navy

125-139
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Niras Suphan : The Composition of String Quintet and Percussion

Natsarun Tissadikun

140-156
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