Khita Rang-San Phleng Phaya Hassadin : The creation of classical Thai vocal piece from the innovative approach in Thai classical music

Abstract

Research title Khita Rang-San Phleng Phaya Hassadin : The creation of classical Thai vocal piece from the innovativeapproach in Thai classical musicbe qualitative research to study the process of singing assemble in Thai classical dance for creating the pattern style of songs in singing and for creating the new style of melody in singing Phleng Phaya Hassadin.

              The finding found that the process of singing assemble in Thai classical dance, singer must get the knowledge with understanding in singing assemble in all types of Thai classical dance. be able to use technique of special voice in singing with the nice melodic, understand the format of taking songs with Thai classical dance as correctly to get the reality melodic in singing to make the nice perfect  of Thai classical dance.

            The finding creating pattern style of songs with Thai classical dance found that must know the principle of song composing be Klong Si Suphap that was brought to write the drama scripts for putting the melodies and lyrics to sing. The way of composing could write from the former basic old song or taking the new singing way by ignoring the old one and must get the way to put melodies and lyrics with the most suitability to performers and any types of each Thai classical dance performance.

          The finding creating the new style of melody in singing Phleng Phaya Hassadin found that Phleng Phaya Hassadin lyrics composing had new written as Klon Si Suphap of 4 verses meaned to the privacy elephant of the King that be very glorious together beside the King in kingdom for riding into the war getting back with the victory  to Thai nation. Phleng Phaya Hassadin composing divided into 2 parts of melodies. Use lyrics taking 2 strokes of rhythm using Na Tab Balim taking the tone of Thangnai, the singing style be the singing as Ton Bot Louk Koo. To analyze the way of Phleng Phaya Hassadin found the techniques in singing of 9 techniques as shouting with Kran kra-thob Siang, Hon Siang, Kluen Siang, Khuang Siang, Klok Siang, Kra-Thob Siang, Kran Siang, Kod Siang and Klueak Siang.