Communication through Transtextuality from Makeup of Mediums In Mae Sa Eng Folk Dance Rituals

การสื่อสารผ่านความสัมพันธ์ระหว่างตัวบทจากการแต่งหน้าของร่างทรงในพิธีกรรมรำแม่สะเอง

Abstract

This article aimed to study characteristics and makeup code of transtextuality through makeup of mediums for Mae Sa Eng folk dance rituals in Ban Pone Palat, Suk Sawat Subdistrict, Phrai Bueng District, Sisaket Province. The method used in this qualitative research was participant observation for makeup of mediums and in-depth interview for makeup expert in the rituals. This study revealed that the trans-communication was consisted of 1) plagiarism in the transtextuality was the consequence of images from Thaen (mandate of heaven), Phi Fah (souls or spirits) or angels and 2) hypertext in makeup as a media was from the imitation of models of Thaen, Phi Fah or angels clarifying faces as a medium of the medium. Furthermore, makeup code of the medium was a character makeup using idea, belief, feeling and imagination, resulting simulacrum. Its process was led to hyperreality which caused mental treatment and remedy (meta communication) eventually.