Taiju for Trombone Quartet by Junichi Hirota: Interpretation and Performance Practice
Keywords:
Taiju, Trombone Quartet, Junichi Hirota.Abstract
The purpose of this creative work is to study the background and ideas of the composer and musical elements of Taiju for Trombone Quartet to develop the performance practices and create the preparations for the performance of Taiju composed by Junichi Hirota, in “SuperBrass Concert Workshop” held on June 10th, 2023 at 1.00 p.m. at CRK Recital Hall, Payap University, Chiang mai. The performer had studied all the musical element and background of the piece that build up the performance practices which divided into 2 parts: the first is an analysis of the piece, techniques used which consists of 2 techniques: legato and intervals. Second Part: the preparation before the performance.
References
Baines, A. (1993). Brass Instruments, Their History and Development. (4th ed). Dover Publications.
Brink, P. (2019) The Trombone’s Toolkit. Nakhan Pathom: Mahidol University.
Ervin, T. (2020). Range building on the trombone. Vancouver: Cherry Classics Music.
Hirota, J. (2016). Taiju for trombone quartet. Kazenone Music, Japan.
Kleinhammer, E. (2000). Mastering the Trombone. Wisconsin, EMKO Publication.
Parker, R. (2018). A Performance guide for trombone quartet: An Application of pedagogical concepts and techniques for developing ensembles. Iowa, The University of Iowa.
Schlossberg, Max. (1947). Daily Drills and Technical Studies for Trombone. New York: M. Baron Company Inc.
Timmers, Robert. (2022). Johann Sebastian Bach’s Complete Chorales Harmonizations for Trombone Quartet, Volume I. Vancouver: Cherry Classics Music.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Bansomdej Music Journal

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.