Creation of the Rong Ngeng song for String Quintet
Keywords:
String Ensemble , Rong Ngeng , Southern Folk SongsAbstract
This research aimed to create a southern folksong for a string quintet. The melody of the song "Pu Jo Pi Sang" was developed from
the original recording by Khader Waedeng, a National Artist in Performing Arts (Folk Music), and rearranged in accordance the principles of orchestration theory for a string quintet.
The research found that orchestrating a string quintet requires knowledge of music theory and orchestration, along with a practical understanding of international string instrument techniques, including range, technique, and the placement of each instrumental line to achieve structural sound balance. Furthermore, the arrangement must retain the key characteristics of southern folk music, particularly rhythm, style, and musical tone, to preserve its cultural essence. The researcher has named this creative work "Yod Tong Raek Yim," and with a duration of approximately five minutes.
References
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Sukhawatana K. (2011). sangkhīt niyom wādūai khrư̄angdontrī khō̜ng wong duriyāng. [On Western Music: A Musicological Perspective]. Bangkok: Chulalongkorn University Press.
Bindsan B. (2011). dontrī phāk tai sinlapin kān thāithō̜t khwāmrū phithīkam læ khwām chư̄a [Southern Thai Music: Artists, Ritual Knowledge, and Belief Transmission]. Bangkok: Chulalongkorn University Press.
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Samuel Adler. (1982). The Study of Orchestration. New York: W. W. Norton & Company.
Lee Ching Ching. (1995). In Preparation For The Theory Exams. Malaysia: Rhythm Mp SDN.BHD.
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