The Vocal Techniques of Patanee Promsombat in Ngo Pa The Royal Dramatic Text Written by King Rama V based on the Vocal Style of Chao Chom Mom Rajawongse Sadap Ladawan

Abstract

       Research on The Vocal Techniques of Patanee Promsombat in Ngo Pa The Royal Dramatic Text Written by King Rama V based on the Vocal Style of Jao Jom Mom Rajawongse Sadap Ladawan have the objectives: 1. To study the succession of the Vocal Techniques of Patanee Promsombat in Ngo Pa The Royal Dramatic Text Written by King Rama V based on the Vocal Style of       Jao Jom Mom Rajawongse Sadap Ladawan.2. A study of the Vocal Techniques of Patanee Promsombat in Ngo Pa The Royal Dramatic Text Written by King Rama V based on the Vocal Style of Jao Jom Mom Rajawongse Sadap Ladawan. using qualitative research methods. A total of 13 songs from all 128 songs were selected by purposive samples. group of practitioners National Academic and Artist Group put the information into action synthetic analysis and presented the data by descriptive analytical method.

       The results of the research were as follows: 1. Inheritance of the Vocal Techniques of Patanee Promsombat in Ngo Pa. It was inherited from Jao Jom Mom Rajawongse Sadap Ladawan by joining the oral song. both singing 2.The Vocal Techniques of Patanee Promsombat found the singing techniques namely, prodding, pitching, pitching, groaning, forming words, subdued, tying, accentuating, and scattering from 13 songs, namely: 1) Senlao song 2) Tayae song 3) Prasatthong song 4) Balim song       5) Monronghai song  6) Farungkhu song 7) Talayba Song 8) Paelechun song 9) Subthai song  10) Yaohab Song                             11) LomnokSalaprai song 12) Khaeklopburi Sam Chan Swap Khaeklop Buri Song Chan Song and 13) Khaekyamduack song.

       From the results of this research, we can obtain both knowledge. As a guideline for preserving the singing path that existed since the reign of King Rama V and still benefiting the education circle of Thai music in the future.