The Composition of ranat thum Solo in surinthrahu samchan Song

Abstract

      The objectives of The Composition of ranat thum Solo in surinthrahu samchan Song are for composition of ranat thum Solo in surinthrahu samchan Song and analyze it by way of a process for a qualitative research. It is found from the research that ranat thum Solo in surinthrahu samchan Song have total 3 parts which are played in an aspects of 6 times. The song is played twice for each part that comprises the first and second times. The structure of the song for the first part is played using a kayi technique and then coming back to the usual rhythm finally in the part 1 of the first time and then the song is played in such a rhythm until the end of the song. There is also mixture of Mon and Persian accent from the middle to the end of the second part of the second time. Beside, found perfectly are technique and accent in the play of ranat thum Solo in surinthrahu samchan Song that comprise technique for tidut, tithang, tikrathop, tiyoi, tikhayok, luangna accent, lalang accent, and e lak e luea accent.