Analytical Study for Trumpet and Piano Performance: Eric Ewazen's Sonata for Trumpet and Piano

Authors

  • Jakaphan Chaiya Dr., College of Music, Payap University
  • Remi Namtep Lecturer, College of Music, Payap University

Keywords:

Sonata, Trumpet, Analysis

Abstract

The Sonata for Trumpet and Piano was composed in the 20th century, utilizing a variety of compositional techniques. In this piece, the trumpet and piano hold equal importance. Analyzing this piece helps in understanding its structure and performance techniques, providing guidelines for its performance. The content of the article is divided into two parts: the analysis of the musical forms and the performance guidelines. This sonata is divided into three movements, each with unique characteristics and emotional expressions. The first movement follows the sonata-allegro form, the second movement is in ternary form, and the third movement is in rondo form. Despite the differing performance approaches in each movement, a key aspect is the harmonious interplay between the two instruments, given their equal roles. Studying this piece provides an opportunity to understand the art of performance and collaboration, making this piece significant in the realm of musical compositions. It also serves as an inspiration for new generations of musicians to create high-quality works.

References

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Southern Mississippi. https://aquila.usm.edu/dissertations/1110

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https://repository.belmont.edu /cgi/viewcontent.cgi?article=1006&context=music_recitals

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Published

2025-07-25

How to Cite

Chaiya, J., & Namtep, R. (2025). Analytical Study for Trumpet and Piano Performance: Eric Ewazen’s Sonata for Trumpet and Piano. Bansomdej Music Journal, 7(2), 108–125. retrieved from https://so13.tci-thaijo.org/index.php/MusBSRU/article/view/1385

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Section

บทความวิชาการ