Light, Space, and Perception: The Artistic Journey from Minimalism to Light and Space

Abstract

The article “Minimal to Light and Space” explores the evolution of contemporary art through the conceptual shift from Minimalism—emphasizing simplicity, objecthood, and spatial arrangement—toward the Light and Space movement, which centers on perceptual experience and viewer interaction. By examining the works of key artists such as Donald Judd, Sol LeWitt, Dan Flavin, and Fred Eversley, the article traces how artistic focus moved from reducing form and rejecting symbolism to constructing environments that engage light, materials, and sensory perception.The analysis reveals that contemporary art in this context is not merely about creating objects for visual appreciation but about producing experiences that raise philosophical questions concerning perception, reality, and the human presence within space. This shift reflects an expanded role of the audience in meaning-making, transforming art into a dynamic site of interaction. The article contributes to a broader understanding of contemporary art by linking it to disciplines such as architecture, design, technology, and experiential philosophy, highlighting its relevance in a post-industrial and increasingly immersive world.