Isan Nang Pramotai : Performance formats to enhance economic value

Abstract

This research aimed to 1) Study the history, identity, components, traditions, beliefs, and way of life of Nang Pramotai troupes in the Isan region. 2) Examine the current problems related to Nang Pramotai performances. 3) Adapt performance formats to increase economic value.The study was conducted in Roi Et Province using qualitative research. The sample group was selected through purposive sampling and consisted of 5 experts, 5 practitioners, 30 members of the Nang Pramotai network, and 30 members of the general public, totaling 70 participants. Research tools included questionnaires, interviews, observations, focus group discussions, workshops, and triangulation. Data were analyzed using descriptive analysis.

The research findings revealed that  1) Nang Pramotai was a traditional folk performance combining shadow puppetry (Nang Talung) and Mor Lam. Main characters spoke in Central Thai, while comic and supporting roles used the Isan dialect. The stories were derived from local folklore and classical literature such as Sang Sinchai and Ramakien. Ubon Ratchathani was the original center, and the art later spread to other provinces. Each troupe consisted of 5–10 members. 2)The problems included declining popularity, reduced content complexity, high costs, lack of successors, and limited performance venues. 3)Performances were adapted by shortening traditional story segments and incorporating more luk thung music to appeal to all age groups. The troupes were managed as businesses, with pre-arranged fees and performance formats, reflecting a successful fusion of traditional art and the modern entertainment market.