DESIGNING THAI DRAMATIC ARTS LEARNING ACTIVITIES THROUGH THE USE OF SELF-DIRECTED LEARNING METHOD TO ENHANCE THAI DANCING ROUTINES SKILL FOR THAI DRAMATIC ARTS STUDENTS IN A VOCATIONAL COLLEGE

Authors

  • Chanon Anansalung School of interdisciplinary technology and innovation, Sripatum University
  • Phussadee Klinkesorn School of interdisciplinary technology and innovation, Sripatum University

Keywords:

āļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļ”āđ‰āļ§āļĒāļāļĢāļ°āļšāļ§āļ™āļāļēāļĢāļŠāļĩāđ‰āļ™āļģāļ•āļ™āđ€āļ­āļ‡, āļ—āļąāļāļĐāļ°āļ›āļāļīāļšāļąāļ•āļīāļ—āđˆāļēāļĢāļģ, āļ™āļąāļāđ€āļĢāļĩāļĒāļ™āļ™āļēāļāļĻāļīāļĨāļ›āđŒ āļĢāļ°āļ”āļąāļšāļ­āļēāļŠāļĩāļ§āļĻāļķāļāļĐāļē

Abstract

The objectives of the present research were: 1) to design Thai Dramatic Arts learning activities through the use of self-directed learning method to enhance Thai dancing routines skill for Thai Dramatic Arts students in a vocational college, and 2) to compare the effectiveness of enhancing Thai dancing routines skill for Thai Dramatic Arts students in a vocational college through the use of self-directed learning method with the criteria to pass the assessment at 80% The instruments in this research were: 1) the questionnaire of characteristics of readiness for learning Thai Dramatic Arts using self-directed learning method, 2 ) self-directed learning method lesson plans, and (3) the assessment test for dancing. The participants were selected for this study were categorized into 2 groups. The first group was 369 third year vocational certificate students of Thai Dramatic Arts in Bunditpatanasilpa Institute. The participants were selected based on a Stratified Random Sampling. The second group was 46 third year vocational certificate students in Lopburi college of Dramatic Arts. The participants were selected based on a cluster sampling. The obtained data were analyzed based on the questionnaires, mean (ð‘ĨĖ… ), standard deviation (SD), and one sample t-test. The research results revealed as follows: 1) design Thai Dramatic Arts learning activities through the use of self-directed learning method for third year vocational certificate students of Thai Dramatic Arts. lesson plans were designed to be complete in 5 steps, which are 1) connect and contact, 2) demonstration, 3) action, 4) learn and share, and 5) best practice presentation, contained the effectiveness at 83.44/86.20 . 2) The comparison results of the effectiveness of enhancing Thai dancing routines skill in Thai Dramatic Arts after employing self-directed learning method quality ð‘ĨĖ… = 17.24, S.D. = 1.14 was at the ‘excellent’ (t= 7.38, P=.00) level at 86.20% higher than the learning criteria with significantly higher at a level of 0.5. This showed that self-directed learning activities could be enhanced Thai dancing routines skill of Thai Dramatic Arts students according to the learning criteria.

References

āļāļĄāļĨāļ§āļĢāļĢāļ“ āļ•āļąāļ‡āļ˜āļ™āļāļēāļ™āļ™āļ—āđŒ. (2563). āļāļēāļĢāļ§āļąāļ”āđāļĨāļ°āļ›āļĢāļ°āđ€āļĄāļīāļ™āļ—āļąāļāļĐāļ°āļ›āļāļīāļšāļąāļ•āļī āļžāļīāļĄāļžāđŒāļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆ 3. āļāļĢāļļāļ‡āđ€āļ—āļžāļŊ:

āļŠāļģāļ™āļąāļāļžāļīāļĄāļžāđŒāļˆāļļāļŽāļēāļĨāļ‡āļāļĢāļ“āđŒāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ.

āļˆāļĢāļąāļŠāļžāļĢ āļšāļąāļ§āđ€āļĢāļ·āļ­āļ‡. (2562). āļāļēāļĢāļžāļąāļ’āļ™āļēāļ„āļ§āļēāļĄāļ„āļīāļ”āļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒāđ‚āļ”āļĒāļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āđāļšāļšāļ™āļģāļ•āļ™āđ€āļ­āļ‡ āļ§āļīāļŠāļēāļ„āļ­āļĄāļžāļīāļ§āđ€āļ•āļ­āļĢāđŒ

āļ‚āļ­āļ‡āļ™āļąāļāđ€āļĢāļĩāļĒāļ™āļŠāļąāđ‰āļ™āļĄāļąāļ˜āļĒāļĄāļĻāļķāļāļĐāļēāļ›āļĩāļ—āļĩāđˆ 2 (āļ§āļīāļ—āļĒāļēāļ™āļīāļžāļ™āļ˜āđŒāļ›āļĢāļīāļāļāļēāļĄāļŦāļēāļšāļąāļ“āļ‘āļīāļ•). āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļ˜āļļāļĢāļāļīāļˆāļšāļąāļ“āļ‘āļīāļ•āļĒāđŒ, āļāļĢāļļāļ‡āđ€āļ—āļžāļŊ.

āļŠāļąāļĒāļĒāļ‡āļ„āđŒ āļžāļĢāļŦāļĄāļ§āļ‡āļĻāđŒ. (2563). āļāļēāļĢāļ—āļ”āļŠāļ­āļšāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļŠāļ·āđˆāļ­ E1/E2. āļŠāļ·āļšāļ„āđ‰āļ™āļˆāļēāļ https://www.kruachieve.com

āļ“āļąāļāļ™āļĢāļĩ āļ‚āļģāļŠāļ‡āđˆāļē. (2561). āļāļēāļĢāļ­āļ­āļāđāļšāļšāļāļīāļˆāļāļĢāļĢāļĄāļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļ•āļēāļĄāļĢāļđāļ›āđāļšāļšāļāļēāļĢāļŠāļ­āļ™āđāļšāļš RDPDA āđ€āļžāļ·āđˆāļ­āļžāļąāļ’āļ™āļēāļ—āļąāļāļĐāļ°āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ‡āļēāļ™āļāļĢāļēāļŸāļīāļāđ€āļšāļ·āđ‰āļ­āļ‡āļ•āđ‰āļ™ āļ‚āļ­āļ‡āļ™āļąāļāđ€āļĢāļĩāļĒāļ™āļĄāļąāļ˜āļĒāļĄāļĻāļķāļāļĐāļēāļ›āļĩāļ—āļĩāđˆ 1 (āļ§āļīāļ—āļĒāļēāļ™āļīāļžāļ™āļ˜āđŒāļ›āļĢāļīāļāļāļēāļĄāļŦāļēāļšāļąāļ“āļ‘āļīāļ•). āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļšāļđāļĢāļžāļē, āļŠāļĨāļšāļļāļĢāļĩ.

āļ™āļąāļĒāļ™āļē āļ–āļēāļ§āļĢāļēāļĒāļļāļĻāļĄāđŒ. (2565, āļĄāļāļĢāļēāļ„āļĄ-āļĄāļīāļ–āļļāļ™āļēāļĒāļ™). āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āļ”āđ‰āļ§āļĒāļ•āļ™āđ€āļ­āļ‡āđ€āļžāļ·āđˆāļ­āđ€āļŠāļĢāļīāļĄāļŠāļĢāđ‰āļēāļ‡āļ—āļąāļāļĐāļ°āļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļ§āļīāļŠāļēāļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐāļĢāļ°āļ”āļąāļšāļ›āļĢāļ°āļ–āļĄāļĻāļķāļāļĐāļēāđƒāļ™āļĻāļ•āļ§āļĢāļĢāļ•āļ—āļĩāđˆ 21. āļ§āļēāļĢāļŠāļēāļĢāļĻāļķāļāļĐāļēāļĻāļēāļŠāļ•āļĢāđŒ āļĻāļĢāļĩāļ™āļ„āļĢāļīāļ™āļ—āļĢāļ§āļīāđ‚āļĢāļ’, 23(1), 222-237.

āļ™āļžāļĄāļēāļĻ āļ›āļĨāļąāļ”āļāļ­āļ‡. (2561, āļĄāļāļĢāļēāļ„āļĄ-āļĄāļīāļ–āļļāļ™āļēāļĒāļ™). āđ€āļ—āļ„āļ™āļīāļ„āļ™āļąāđˆāļ‡āļĢāđ‰āļēāļ™āđ€āļŠāļĢāļīāļĄāļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰: āļ­āļ‡āļ„āđŒāļ„āļ§āļēāļĄāļĢāļđāđ‰āđāļĨāļ°āļāļēāļĢāļ›āļĢāļ°āļĒāļļāļāļ•āđŒāđƒāļŠāđ‰āļāļąāļšāļšāļĢāļīāļšāļ—āļ­āļļāļ”āļĄāļĻāļķāļāļĐāļēāđ„āļ—āļĒ. āļšāļ—āļ„āļ§āļēāļĄāļ§āļīāļŠāļēāļāļēāļĢāļŠāļĄāļēāļ„āļĄāļŠāļ–āļēāļšāļąāļ™āļ­āļļāļ”āļĄāļĻāļķāļāļĐāļēāđ€āļ­āļāļŠāļ™āđāļŦāđˆāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒ āđƒāļ™āļžāļĢāļ°āļĢāļēāļŠāļđāļ›āļ–āļąāļĄāļ āđŒ āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āđ€āļ—āļžāļĢāļąāļ•āļ™āļĢāļēāļŠāļŠāļļāļ”āļēāļŊ āļŠāļĒāļēāļĄāļšāļĢāļĄāļĢāļēāļŠāļāļļāļĄāļēāļĢāļĩ, 24(1), 117-128.

āļ™āļĢāđ€āļŠāļĐāļāđŒ āļāļĢāļ°āļ”āļąāļ‡āļ‡āļē āđāļĨāļ°āļœāļļāļŠāļ”āļĩ āļāļĨāļīāđˆāļ™āđ€āļāļĐāļĢ. (2565, āļĄāļāļĢāļēāļ„āļĄ-āļĄāļīāļ–āļļāļ™āļēāļĒāļ™). āļāļēāļĢāļžāļąāļ’āļ™āļēāļĢāļđāļ›āđāļšāļšāļāļēāļĢāļŠāļ­āļ™āļ­āļ­āļ™āđ„āļĨāļ™āđŒāļ”āđ‰āļ§āļĒāļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āđāļšāļšāļ™āļģāļ•āļ™āđ€āļ­āļ‡āļ‚āļ­āļ‡āļ™āļąāļāļĻāļķāļāļĐāļē āļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļ—āļēāļ‡āļāļēāļĢāđāļžāļ—āļĒāđŒāđāļĨāļ°āļŠāļēāļ˜āļēāļĢāļ“āļŠāļļāļ‚āļāļēāļāļˆāļ™āļēāļ āļīāđ€āļĐāļ. āļ§āļēāļĢāļŠāļēāļĢāļāļēāļĢāļ§āļąāļ”āļœāļĨāļāļēāļĢāļĻāļķāļāļĐāļē, 39(105), 250-260.

āđ€āļĄāļ˜āļēāļŠāļīāļ—āļ˜āļīāđŒ āļ˜āļąāļāļĢāļąāļ•āļ™āļĻāļĢāļĩāļŠāļāļļāļĨ. (2562, āļĄāļāļĢāļēāļ„āļĄ-āļĄāļīāļ–āļļāļ™āļēāļĒāļ™). āļāļēāļĢāļ•āļĢāļ§āļˆāļŠāļ­āļšāļ„āļ§āļēāļĄāļ•āļĢāļ‡āđ€āļŠāļīāļ‡āļ—āļĪāļĐāļŽāļĩāļ‚āļ­āļ‡āđāļšāļšāļ§āļąāļ”āļ„āļ§āļēāļĄāļžāļĢāđ‰āļ­āļĄāđƒāļ™āļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āđāļšāļšāļŠāļĩāđ‰āļ™āļģāļ•āļ™āđ€āļ­āļ‡ āļŠāļģāļŦāļĢāļąāļšāļ™āļąāļāđ€āļĢāļĩāļĒāļ™āļŠāļąāđ‰āļ™āļĄāļąāļ˜āļĒāļĄāļĻāļķāļāļĐāļēāļ›āļĩāļ—āļĩāđˆ 6. āļ§āļēāļĢāļŠāļēāļĢāļ§āļīāļˆāļąāļĒāđāļĨāļ°āļžāļąāļ’āļ™āļē āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļĢāļēāļŠāļ āļąāļāļšāļļāļĢāļĩāļĢāļąāļĄāļĒāđŒ, 14(1), 100-111.

āļ§āļīāļ§āļąāļ’āļ™āđŒ āđ€āļžāļŠāļĢāļĻāļĢāļĩ. (2561, āļĄāļāļĢāļēāļ„āļĄ-āļĄāļīāļ–āļļāļ™āļēāļĒāļ™). āļāļēāļĢāļžāļąāļ’āļ™āļēāļĢāļđāļ›āđāļšāļšāļāļēāļĢāļˆāļąāļ”āļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āđāļšāļš 4 S āļŠāļēāļĢāļ°āļ—āļĩāđˆ 3 āļ™āļēāļāļĻāļīāļĨāļ›āđŒ āļŠāļąāđ‰āļ™āļ›āļĢāļ°āļ–āļĄāļĻāļķāļāļĐāļēāļ›āļĩāļ—āļĩāđˆ 5. āļ§āļēāļĢāļŠāļēāļĢāļ§āļīāļˆāļąāļĒāđāļĨāļ°āļ›āļĢāļ°āđ€āļĄāļīāļ™āļœāļĨāļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ, 7(1), 21-30.

āļŠāļļāđ€āļĄāļĐāļĒāđŒ āļŦāļ™āļāļŦāļĨāļąāļ‡. (2557). āļāļēāļĢāļžāļąāļ’āļ™āļēāļ„āļ§āļēāļĄāļŠāļēāļĄāļēāļĢāļ–āđƒāļ™āļāļēāļĢāđ€āļœāļŠāļīāļāļāļēāļĢāļŸāļąāļ™āļāđˆāļēāļ­āļļāļ›āļŠāļĢāļĢāļ„āļ‚āļ­āļ‡āļ™āļąāļāļĻāļķāļāļĐāļēāļ„āļĢāļđāđ‚āļ”āļĒāđƒāļŠāđ‰āđ‚āļ›āļĢāđāļāļĢāļĄāļ™āļąāļ™āļ—āļ™āļēāļāļēāļĢāđāļšāļšāļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄāđƒāļ™āļāļĢāļ°āļšāļ§āļ™āļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āđāļšāļšāļŠāļĩāđ‰āļ™āļģāļ•āļ™āđ€āļ­āļ‡ (āļ§āļīāļ—āļĒāļēāļ™āļīāļžāļ™āļ˜āđŒāļ›āļĢāļīāļāļāļēāļ”āļļāļĐāļŽāļĩāļšāļąāļ“āļ‘āļīāļ•). āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ€āļāļĐāļ•āļĢāļĻāļēāļŠāļ•āļĢāđŒ, āļāļĢāļļāļ‡āđ€āļ—āļžāļŊ

āļŠāļģāļ™āļąāļāļ‡āļēāļ™āļ„āļ“āļ°āļāļĢāļĢāļĄāļāļēāļĢāļāļēāļĢāļĻāļķāļāļĐāļēāđāļŦāđˆāļ‡āļŠāļēāļ•āļī. (2553). āļžāļĢāļ°āļĢāļēāļŠāļšāļąāļāļāļąāļ•āļīāļāļēāļĢāļĻāļķāļāļĐāļēāđāļŦāđˆāļ‡āļŠāļēāļ•āļī āļž.āļĻ.2542 āđāļāđ‰āđ„āļ‚ āđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄ (āļ‰āļšāļąāļšāļ—āļĩāđˆ 2) āļž.āļĻ. 2545 āđāļĨāļ° (āļ‰āļšāļąāļšāļ—āļĩāđˆ 3) āļž.āļĻ. 2553. āļāļĢāļļāļ‡āđ€āļ—āļžāļŊ: āđ‚āļĢāļ‡āļžāļīāļĄāļžāđŒāļ„āļļāļĢāļļāļŠāļ āļē āļĨāļēāļ”āļžāļĢāđ‰āļēāļ§.

āļ­āļĢāļĢāļ–āļžāļĨ āļ›āļąāļāļˆāļ°āđ€āļžāļĢāđ‡āļŠāđāļāđ‰āļ§. (2560). āļœāļĨāļ‚āļ­āļ‡āļāļēāļĢāļˆāļąāļ”āļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļ­āļīāļ‡āđāļ™āļ§āļ„āļīāļ”āļˆāļīāļ•āļ•āļ›āļąāļāļāļēāļ§āļīāļŠāļēāļˆāļīāļ•āļ§āļīāļ—āļĒāļēāļŠāļģāļŦāļĢāļąāļšāļ„āļĢāļđāļ—āļĩāđˆāļĄāļĩāļ•āđˆāļ­āļœāļĨāļŠāļąāļĄāļĪāļ—āļ˜āļīāđŒāļ—āļēāļ‡āļāļēāļĢāđ€āļĢāļĩāļĒāļ™āđāļĨāļ°āļ„āļ§āļēāļĄāļžāļĢāđ‰āļ­āļĄāđƒāļ™āļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļ”āđ‰āļ§āļĒāļāļēāļĢāļŠāļĩāđ‰āļ™āļģāļ•āļ™āđ€āļ­āļ‡āļ‚āļ­āļ‡āļ™āļąāļāļĻāļķāļāļĐāļēāļ—āļĩāđˆāļĄāļĩāļœāļĨāļŠāļąāļĄāļĪāļ—āļ˜āļīāđŒāļ—āļēāļ‡āļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļ•āđˆāļēāļ‡āļāļąāļ™ (āļ§āļīāļ—āļĒāļēāļ™āļīāļžāļ™āļ˜āđŒāļ›āļĢāļīāļāļāļēāļĄāļŦāļēāļšāļąāļ“āļ‘āļīāļ•). āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļŠāļ‡āļ‚āļĨāļēāļ™āļ„āļĢāļīāļ™āļ—āļĢāđŒ, āļŠāļ‡āļ‚āļĨāļē.

Dave, R. H. (1970). Psychomotor levels in developing and writing behavioral objectives.

Armstrong RJ, ed. Tucson, A2: Educational Innovators Press.

Guglielmino, L. M. (1997). Development of the self - directed learning readiness scale. Doctoral Dissertation University of Georgia.

Dewey, J. (1938). Experience and Education. New York: Collier Books.

Knowles, M. S. (1970). The modern practice of adult education: Andragogy versus pedagogy. New York: Association Press.

Piaget, J. (1986). The construction of reality in the child. New York: Ballantine Books.

Simpson, E. J. (1972). The Classification of Educational Objectives in the Psychomotor Domain. Gryphon House, Washington DC.

Downloads

Published

2022-12-31

How to Cite

Anansalung, C., & Klinkesorn, P. (2022). DESIGNING THAI DRAMATIC ARTS LEARNING ACTIVITIES THROUGH THE USE OF SELF-DIRECTED LEARNING METHOD TO ENHANCE THAI DANCING ROUTINES SKILL FOR THAI DRAMATIC ARTS STUDENTS IN A VOCATIONAL COLLEGE. Srinakharinwirot Academic Journal of Education, 23(2), 137–152. retrieved from https://so13.tci-thaijo.org/index.php/SWU_JEd/article/view/2811