Hom Heat Hoi Saratha Maha Phuttha Bucha Prasat Phueng : The Creative Production of a Multimedia Light and Sound Performance in Sakon Nakhon Province

Abstract

        The research on the creation of a light, sound, and multimedia performance in Sakon Nakhon Province aimed to analyze the cultural context, beliefs, and aesthetic dimensions of the Wax Castle Procession tradition in Sakon Nakhon Province. It further aimed to develop concepts and creative processes for a light, sound, and multimedia performance capable of conveying the spiritual values and local identity through contemporary performing arts. Employing a qualitative research methodology that integrated fieldwork, in-depth interviews, and the analysis of relevant theories, the researcher assumed the dual roles of practitioner and researcher, analyzing, adapting, and interpreting the culture through hands-on creation. The research explored the cultural uniqueness and beliefs of the people in Sakon Nakhon Province through the application of contemporary performing arts and modern media technology. The creative output comprised a main narrative recounting the legend of the wax castle, the veneration of the Buddha, and the way of life of the Isan people. This was achieved using light, sound, video multimedia, and mixed media techniques to create atmosphere and emotional engagement for the audience. The performance reflected the potential of contemporary art creation to preserve and disseminate local culture.

         The research findings revealed that the creation of the light, sound, and multimedia performance titled "Hom Heet Hoi Satta Maha Phuttha Bucha Prasat Pheung" (Echoes of Tradition, Traces of Faith, Great Buddhist Offering of the Wax Castle) enabled people to significantly access the core elements of the cultural context, beliefs, and aesthetic dimensions of the Wax Castle Procession tradition in Sakon Nakhon Province. It also allowed them to experience the spiritual values and local identity through contemporary performing arts in a meaningful way. Furthermore, the performance opened new avenues for interpreting local culture within a contemporary context without diminishing the sanctity of the original rituals. This research therefore reflects the potential of contemporary performing arts as a cultural tool and as an intangible cultural heritage of Sakon Nakhon Province, connecting local roots with the present world through artistic creation processes.