The Tale of the Venerable ‘Alī: Transmission, Development, and Changes of Persian Hamza-nama Narrative in the Central Javanese Wayang Golek Cĕpak Rod Puppetry

Authors

  • Rudy Wiratama Javanese Language, Literature, and Culture Program, Faculty of Cultural Sciences, Universitas Gadjah Mada, Indonesia
  • R. Bima Slamet Raharja Javanese Language, Literature, and Culture Program, Faculty of Cultural Sciences, Universitas Gadjah Mada, Indonesia
  • Zakariya Pamuji Aminullah Javanese Language, Literature, and Culture Program, Faculty of Cultural Sciences, Universitas Gadjah Mada, Indonesia

Keywords:

Hamza-nama, Islam, Java, rod puppetry, wayang cepak, wayang menak

Abstract

Wayang golek cepak as a Pasisir or northern coastal style of central Javanese rod puppetry, same as its golek menak counterpart in the southern coast of this island, have been always identified with its Islamic repertoires, rather than the more popular Hindu-originated Mahabharata and Ramayana which became an integral part of the much widely recognized wayang purwa performances. Besides recounting the tales of 16th century Javanese Muslim saints (wali sanga) and local chronicles (babad), the wayang golek, both cepak and menak, were originally said to take the Menak tales as its main repertory. The Menak tales used in wayang golek, however, adapting a much loose form of the Persian epic Hamza-nama, which has been absorbed to Javanese literature through various ways. This article will try to trace the influences of Hamza-nama in this popular puppetry, studying the case of a performance with the story “Sahabat Ali” or “Sayidina Ali” in Pekalongan style wayang golek cepak.

Downloads

Download data is not yet available.

References

Houben, V. J. H. (1994). Kraton and Kumpeni. KITLV. [In Dutch]. https://brill.com/display/title/23407

Jaques, K. R. (2006). Sajarah Leluhur: Hindu cosmology and the construction of Javanese Muslim genealogical authority. Journal of Islamic Studies, 17(2), 129–157. https://doi.org/10.1093/jis/etl004

Kamajaya. (Ed.). (1985). Serat Centhini (Vols. 1–12). Yayasan Centhini. [In Indonesian/Javanese]. http://pustaka.kebudayaan.kemdikbud.go.id/index.php?p=show_detail&id=2614

Kusumadilaga. (1999). Serat Sastramiruda (Translated ed.). Departemen Pendidikan dan Kebudayaan RI. [In Indonesian/Javanese]. http://repositori.kemendikdasmen.go.id/id/eprint/27588

Lutfi, M., et al. (2019). Visual narrative as strategy of traditional texts: A study on Serat Menak. Opción, 35(24), 713–730. https://dialnet.unirioja.es/descarga/articulo/8155776.pdf

Padmasusastra. (1902). Sajarah dalem pangiwa lan panengen. G.C.T. van Dorp and Co. [In Indonesian/Javanese]. https://www.sastra.org/arsip-dan-sejarah/umum/3186-sajarah-dalem-pangiwa-lan-panengen-padmasusastra-1902-1122

Pane, S. (2019). Bunga rampai dari hikayat lama. Balai Pustaka. [In Indonesian]. https://books.google.co.id/books/about/Bunga_Rampai_dari_Hikayat_Lama.html?id=S0IqEAAAQBAJ

Petersen, R. S. (1992). Umar and Amir: The iconography and etos of the rod-puppetry of central Java [Master's thesis, Brown University]. National Library Board. https://catalogue.nlb.gov.sg/search/card?id=9aa629d0-0d1c-58fa-bb4b-a26b68e8835c

Pritchett, F. W. (1991). The romance tradition in Urdu: Adventures from the Dāstān of Amīr Ḥamzah. Columbia University Press. https://franpritchett.com/00litlinks/hamzah/

Qushayri, M. i. a.-H. (1971). Ṣaḥiḥ Muslim: Being traditions of the sayings and doings of the prophet Muhammad as narrated by his companions and compiled under the title al-Jāmiʻ-uṣ-ṣaḥīḥ (A. H. Siddiqui, Trans.; Vols. 1–4). Sh. Muhammad Ashraf. https://www.google.co.id/books/edition/Sahih_Muslim/8JSJAQAACAAJ

Razwy, S. A. A. (1995). A restatement of the history of Islam and Muslims: C.E. 570 to 661. World Federation of KSI Muslim Communities Islamic Centre. https://al-islam.org/restatement-history-islam-and-muslims-sayyid-ali-asghar-razwy

Resowidjojo. (1941). Register serat Menak. Bale Poestaka. [In Indonesian]. https://www.sastra.org/katalog/judul?ti_id=1091

Ricklefs, M. C. (1998). The seen and unseen worlds in Java, 1726–1749: History, literature, and Islam in the court of Pakubuwana II. University of Hawaii Press. https://books.google.co.id/books/about/The_Seen_and_Unseen_Worlds_in_Java_1726.html?id=4jXeDMi6O3IC

Ronkel, P. S. v. (1985). De roman van Amir Hamza. E.J. Brill. [In Dutch]. https://books.google.co.id/books/about/De_roman_van_Amir_Hamza.html?id=VBhDZtBa_FAC

Sajid. (1971). Bauwarna kawruh wajang djilid I. Widya Duta. [In Indonesian].

Sudewa, A. (1995). Dari Kartasura ke Surakarta: Studi kasus Serat Iskandar. Lembaga Studi Asia. [In Indonesian].

Sunarto. (2009). Kehidupan wayang golek Menak Kebumen pada masa Ki Sindhu Jotaryono (1955-1980). Dewaruci, 6(1), 110–124. [In Indonesian]. https://doi.org/10.33153/dewaruci.v6i1.869

Tashadi, et al. (1993). Serat Menak (Yogyakarta). Departemen Pendidikan dan Kebudayaan RI. [In Indonesian].

Wijanarko. (1991). Selayang pandang wayang Menak. Amigo. [In Indonesian].

Yasadipura. (1935). Menak Purwakandha (Vols. 1–3). Bale Poestaka. [In Indonesian/Javanese].

Yasadipura. (1937). Menak Lakat (Vols. 1–3). Bale Poestaka. [In Indonesian/Javanese].

Downloads

Published

2026-06-30

How to Cite

Wiratama, R., Raharja, R. B. S., & Aminullah, Z. P. (2026). The Tale of the Venerable ‘Alī: Transmission, Development, and Changes of Persian Hamza-nama Narrative in the Central Javanese Wayang Golek Cĕpak Rod Puppetry. Asian Arts and Society Journal, 2(1), 1–16. retrieved from https://so13.tci-thaijo.org/index.php/AASJ/article/view/3934

Issue

Section

Research Article